Roast of the Day
The roasts take a current claim, film, product, institution or public performance and ask the impolite but useful question: does any of this make sense? Each article separates the judgement from the evidence, checks the important factual claims and leaves the sources in view. Expect dry British satire, modern incentives and the occasional three-panel sketch. Start with the newest receipt or use the topic links to narrow the archive.
Eurovision 2026: When Songs Won and Excuses Lost Loudly
Eurovision 2026 gave Bulgaria the crown, the UK one point, and everyone else a microphone for excuses, politics, glitter logic, complaints and pride. on…
The Sacred Steak And The Modern Lent Of Logic On A Plate
From sacred cows to pork bans and plant-based diets, a dry roast of meat, mercy, health logic, animal suffering and our selective compassion at…
Corporate Pollution And The Little Consumer Blame Circus
Corporate pollution keeps the profit, public guilt gets the bill, and nature gets the invoice while everyone argues about bags, bins and paper straws.
Mortal Kombat II: IMAX Blood, Arcade Brain, Fine Enough
Mortal Kombat II gets the IMAX roar, Johnny Cage jokes and game nostalgia right, while proving a button-mash plot can still earn applause.
The Devil Wears Prada 2 And The Luxury Cinema Bottleneck
A sharp roast of The Devil Wears Prada 2, sequel culture, luxury theatre scarcity, AI slop, fashion branding and cinema’s expensive nostalgia machine.
Exit 8 Finds Horror in One Corridor and Eight Bad Choices
Exit 8 turns one sterile subway corridor into a Japanese soul audit, proving a tiny game adaptation can haunt harder than loud western spectacle…
Michael: The IMAX Moonwalk Through Cinema’s Funeral Ads
Michael dazzles in IMAX, while pre-film streaming adverts make cinema look like it is rehearsing its own funeral in surround sound, one subscription at…
Foundation: Asimov Finally Gets a Galaxy-Sized TV Budget
A full roast of Foundation on page and screen, from Asimov’s books to Apple’s series, and why only modern VFX could finally sell that…
Lee Cronin’s The Mummy: IMAX Gauze, Small Scares, No Soul
Lee Cronin’s The Mummy is roasted as IMAX-sized possession horror: gross, loud, overlong, and barely a mummy beneath all that expensive gauze and dust.
One roast at a time
No spam. No motivational soup. Just the latest receipt when it is ready.