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Ready or Not 2 turns satanic satire into sequel sludge
Ready or Not 2 piles satanic parody, gore and sequel noise onto a follow-up that forgets recaps, injuries and why the first film worked…
Project Hail Mary and the Great Cinema Seat Nuisance Tax
Project Hail Mary dazzles in IMAX, but the real sci-fi horror is modern cinema: cramped rows, popcorn warfare and premium prices for neck strain.
The Good Boy sells teen panic as therapy through captivity
A dry roast of The Good Boy, where teen panic, forced reform and prestige gloom collide in a thriller that says more about fear…
Pay Them Properly and Billionaires Start Looking Normal
A fact-led roast of low pay, billionaire wealth, startup fantasy and AI hype: when wages trail prices and rent climbs, capital still calls it…
The Revenant review: frozen misery on a giant IMAX screen
The Revenant is glorious in IMAX and exhausting almost everywhere else – a beautiful endurance test about revenge, colonisation and money dressed as art.
Reminders of Him forgets why cinemas charge actual money
Colleen Hoover’s Reminders of Him reaches for tears and redemption, but lands in the soft middle: watchable enough, costly enough, and built for streaming.
How to Make a Killing proves the mid-budget gap is gone
A dry roast of How to Make a Killing and the shrinking gap between cinema and streaming, where only IMAX still gives leaving home…
Trump’s tyrant-cleaning fantasy ends at his own front door
A roast on Trump’s strongman logic: he may batter tyrants abroad, but he will not leave quietly when voters finally come for him at…
AI Job Gurus Forget Who Still Signs Off the Whole System
A fact-led roast of AI doom merchants who say coding will vanish, while real systems still need humans to judge, audit, verify and sign…
One roast at a time
No spam. No motivational soup. Just the latest receipt when it is ready.