A roast on Trump’s strongman logic: he may batter tyrants abroad, but he will not leave quietly when voters finally come for him at home in the next reckoning.
A fact-led roast of AI doom merchants who say coding will vanish, while real systems still need humans to judge, audit, verify and sign off in practice.
The Bride! dresses Frankenstein in art-house noise, sexualised gloom and IMAX expense, then wonders why cinema audiences drift back to streaming again.
A sense check on AI panic: code is being autocompleted, music is flooding platforms, and publishing is bracing. The real risk is lazy surrender, in numbers.
Scream 7 arrives in IMAX with franchise polish, sequel fatigue, and AI deepfake winks. A slasher that talks like a podcast and forgets to scare you properly.
Gore Verbinski returns with a time-travel AI caper. Big ideas, louder jokes, 134 minutes of tech panic that feels like yesterday’s tomorrow – in cinemas.
Britain’s factory floor still runs on shouting, fear and silence while the law promises rights, safety and respect that too many workers never see daily.
Netflix’s Korean film ‘Pavane’ (released 20 Feb 2026) turns Ravel into a life raft for romance, and reminds cinema releases what a soul sounds like again.
Cold Storage has timelines, fungus and Neeson quips, but the flashback faces never change. Also, cinemas look suspiciously like your sofa now minus the popcorn.
A roast on Trump’s strongman logic: he may batter tyrants abroad, but he will not leave quietly when voters finally come for him at home in the next reckoning.
Netflix’s Korean film ‘Pavane’ (released 20 Feb 2026) turns Ravel into a life raft for romance, and reminds cinema releases what a soul sounds like again.
Cold Storage has timelines, fungus and Neeson quips, but the flashback faces never change. Also, cinemas look suspiciously like your sofa now minus the popcorn.
