Satirical film commentary. Contains spoilers for the counterattack. The comic scenes are fictional.
Lede
Independence Day still earns its cinema seat, even if its advanced alien civilisation seems better prepared for interstellar travel than for a computer virus.
Hermit Off Script
Independence Day was my choice because nothing else on the Cineworld Unlimited listings particularly interested me, so I thought, what the heck, let’s finally see the film my younger self missed at the cinema. And it was OK. Fun to revisit on a big screen, even if the picture still looked very much of its time to me. It didn’t look freshly polished, although that’s an impression of the presentation, not proof of which master the cinema used. At the same time, the televisions, phones and all those ordinary details brought back the atmosphere of the period. I liked that. The past is there in the things nobody needed to explain because they were normal. Then the alien technology arrives, and that’s where my patience starts asking questions. Here is a civilisation capable of travelling across space, with ships and weapons so far beyond ours, yet a computer virus provides the opening to defeat it. Really? With a laptop from 1996, not even the technology available to us now? Yes, the humans use a captured alien craft, and the virus disables the shields rather than winning the whole war by itself. That provides a route into the system. I still don’t find the leap from human computing to alien military software particularly convincing. I don’t expect the humans in a 1996 story to have modern phones. I expect the aliens to feel further ahead than a larger vehicle and a nastier weapon. That’s a problem I keep noticing in science fiction: only a few visionaries seem able to imagine what a genuinely more advanced civilisation might mean, rather than simply making its machinery enormous. Still, I’d rather rewatch this at the cinema than sit through plenty of mediocre newer films. The laptop has aged. The entertainment is in better condition than much of the competition.
Independence Day | Official Trailer #1 |1996
Movie synopsis
On 2 July 1996, enormous alien spacecraft appear over major cities around the world. Communications expert David Levinson identifies a warning hidden in disrupted satellite signals, while US Marine pilot Steven Hiller prepares to confront the visitors. As the threat becomes a coordinated attack, President Thomas Whitmore and a scattered group of survivors must find a way to resist an enemy whose weapons and defensive technology overwhelm humanity’s existing forces.
Cast and credits
Director: Roland Emmerich.
Writers: Dean Devlin and Roland Emmerich.
Genre: Science-fiction action adventure.
Main cast: Will Smith, Jeff Goldblum, Bill Pullman, Mary McDonnell, Judd Hirsch, Vivica A. Fox, Randy Quaid and Brent Spiner.
Composer: David Arnold.
Production company/studio: Centropolis Entertainment and Twentieth Century Fox.
Runtime: 145 minutes on Cineworld’s reissue listing; 144 minutes on the studio’s listing.
Release year and platform: 1996, theatrical release; returned to Cineworld cinemas through its 2026 anniversary season.
What does not make sense
- The technological gap is enormous when the aliens attack and suddenly much more manageable when the humans need an ending.
- A captured spacecraft explains how the heroes reach the mothership. It doesn’t, by itself, make the human-to-alien software compatibility convincing. Access to the building is not a qualification to rewrite its operating system.
- The humans are allowed to have 1990s technology. The supposedly advanced civilisation deserves a little more imagination than 1990s vulnerabilities with larger engines.
Sense check / The numbers
- The studio records the original US release as 3 July 1996. Its official synopsis places the story across 3 days, from 2 to 4 July. The human technology belongs to that period; the criticism concerns how convincingly the aliens exceed it. [20th Century Studios]
- Cineworld lists its anniversary reissue for 7 September 2026, with a running time of 145 minutes. This is a return to the big screen for a film released 30 years earlier, not a new production. [Cineworld]
- Co-writer Dean Devlin addressed the virus objection in a 2014 Reddit question-and-answer session. His explanation was that David recognises binary code and reverses its ones and zeroes. That is the writer’s stated rationale, not a technical demonstration that the systems would be compatible. [Dean Devlin; CinemaBlend]
- At the 1997 Academy Awards, Independence Day received 2 nominations and won 1 Oscar, for visual effects. The other nomination was for sound. The effects team earned its recognition; the screenplay’s computer security wasn’t on the ballot. [Academy]
- Restored theatrical and extended cuts were announced for the 2016 twentieth-anniversary home-video release, and AVForums reviewed the 4K restoration that year. The film has therefore been restored, but a restoration’s existence does not establish which master a particular cinema screens. [Blu-ray.com; AVForums]
The sketch
Scene 1: The superior civilisation
An enormous alien command ship fills the panel above a tiny Earth. Two alien silhouettes stand beside a glowing defence display.
Dialogue:
Commander: “Their technology is primitive.”
Officer: “Nothing to worry about.”
Scene 2: The compatibility miracle
Inside a small captured alien craft, a human silhouette opens a bulky laptop marked “1996”. On the mothership’s display, a shield symbol begins to disappear.
Dialogue:
Human: “It runs my virus.”
Alien: “Who approved compatibility?”
Scene 3: The oldest attraction
The mothership appears on a cinema screen. In the foreground, a seated viewer holds an Unlimited card while a cinema manager points towards a board labelled “New releases”.
Dialogue:
Manager: “Fancy something newer?”
Viewer: “Newer isn’t necessarily better.”

What to watch, not the show
- The difference between building an alien world and simply giving familiar human behaviour more expensive machinery.
- The temptation to make technological superiority overwhelming for the spectacle, then conveniently fragile for the human victory.
- Older films earning another cinema visit through enjoyment, rather than nostalgia being treated as an automatic entitlement to the audience’s money.
- Anniversary programming giving cinemas another use for familiar titles while letting people catch the big-screen experiences they missed. Cineworld’s 2026 season supplied that opportunity here.
- Presentation being judged separately from setting. The old televisions belong in the film; clear information about the version being screened belongs in the booking details.
The Hermit take
The spectacle still works.
The alien technology needs more imagination.
Keep or toss
Keep / Toss
Keep the spectacle and the period atmosphere.
Toss the assumption that an advanced civilisation only needs to look advanced.
Sources
- Official synopsis, cast and original release details: https://www.20thcenturystudios.com/movies/independence-day
- AFI production and music credits: https://catalog.afi.com/Film/60452-INDEPENDENCE-DAY?cxt=filmography
- Cineworld anniversary reissue listing: https://www.cineworld.co.uk/films/cineworld-30-independence-day-1996/ho00015020
- Screenplay, including the virus-delivery plan: https://imsdb.com/scripts/Independence-Day.html
- Finished-film plot reference: https://en.wikipedia.org/wiki/Independence_Day_(1996_film)
- Dean Devlin’s original question-and-answer session: https://www.reddit.com/r/movies/comments/2oi7cz/i_am_dean_devlin_writer_producer_of_independence/
- CinemaBlend report identifying and discussing the 2014 explanation: https://www.cinemablend.com/news/1526899/how-jeff-goldblum-really-short-circuited-the-aliens-in-the-original-independence-day
- Academy Awards results for 1997: https://www.oscars.org/oscars/ceremonies/1997
- Fox’s 2016 restored-edition announcement, reported by Blu-ray.com: https://www.blu-ray.com/news/?id=18947
- AVForums review of the 2016 restoration: https://www.avforums.com/reviews/independence-day-ultra-hd-blu-ray-review.12758/


Leave a Reply